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Rubber Soul

Rubber Soul
MSRP: $29.98
Your Price: $23.38
Savings: $ 6.60 ( 22% )
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Manufacturer: Emd Int'l
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Additional Rubber Soul Information

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.

 

What Customers Say About Rubber Soul:

This cd has amazing songs for example, Girl, Drive My Car, Michelle, etc. One of the best Beatle CDs ever. the Fab Four will always be the best. 5 STARS EASILY. you won't be diaspointed.

The Beatles were on to something here, and well on their way to becoming the great songwriters and performers that they eventually became. Rubber Soul proves that with it's collection of well-crafted pop songs.

Shipper sent the CD through mail and it was shatttered into pieces by the time I got it. Not impressed with the service.

Plus, for every Beatles fan, it was hard not to notice the annoying distribution of instruments in some of the stereo releases, one plopped on the left, another on the right -- a particular liability in the iPod age when we hear so much music through ear buds, but bothersome even back in the LP era. It's ingenious and complex and really satisfying. But when you hear how it sounds in mono, you will realize you've been missing the intended experience, and have had to tolerate an inferior one. But one thing is, to me, undebatable. On the mono remaster, you realize what a big, multi-faceted recording this really was; full-bottomed with a driving beat, syncopated bass and propulsive piano, but dazzling on top with swirls of vocal harmonies and guitar sounds.

Because the songs are so strong, fans loved it anyway and the album has always had a high reputation. The Mono remasters are very good, but whether they are a superior listening experience to the stereo remasters is something that can only be answered on an album-by-album, and in some cases track-by-track basis. The mono version of "Rubber Soul" is the biggest revelation of the whole box set, and it should be the default version available for the ages. If you can, get the box set. I had always heard that the mono versions of many Beatles albums were considered to be better mixes, more what the band and producer George Martin intended and so forth.

The remastering obviously is one of the major reasons for the new dimensions of sound you can hear on "Rubber Soul." But I also think that, in this case, the effort to achieve stereo effects robbed the album of its muscularity, a problem that is corrected once and for all on the mono version. Similarly, the classic song "In My Life," which always seemed kind of frail and gentle to me, turns out also to be much more explosive. Pepper" or "Magical Mystery Tour." I'm thinking in particular of "The Word." This was never a song I really focused on before. The stereo separation was particularly problematic for "Rubber Soul," and now we can hear it was almost sabotage.

"Rubber Soul" is a much bigger album than I knew. Pepper" and "Revolver." It's great to hear some of the singles in mono again, like "We Can Work it Out," "Rain" and "Penny Lane" in mono. It was an unexpected surprise when my wife and son presented me with the Mono Beatles remasters for my birthday earlier this month. And the more acoustic tunes, like "Michelle," "Norwegian Wood," and "I'm Looking Through You," sound much more fiery and urgent than before. I've always thought "Michelle" was just a sappy Macca love song -- no more. As of now, you can only get the mono "Rubber Soul" in the box set. Forget all that. And the previously unheard mono version of the White Album is fascinating.

Some of it is also a matter of taste. That album was the first Beatles set that was recorded and mixed with stereo in mind from the beginning, but the mono versions of the harder-rocking songs like "Birthday," "Helter Skelter" and "Yer Blues" sound stronger to me. It had always seemed to be one of their quieter, lighter collections, and sonically a precursor to the "lo-fi" indie rock sound that started with REM. This album is every bit as powerful as "Revolver" or "Abbey Road." Not only does the remaster boost the hard-rocking sound of the more aggressive tunes like "Drive My Car" and "Run for Your Life," it also displays the richness of sound and large palette of musical colors you associate with their big production numbers from "Sgt. There are lots of other reasons to own it: "Help." and "Beatles for Sale" were clearly meant to be heard in mono, and you can make a strong case for the superiority of the mono mixes of "Sgt. But if the whole box set is too much, then at least keep an eye out for sales of used copies of mono "Rubber Soul." It's essential.

Masterfully redone. Only wish they made a 24/96 version available. For a CD this is how it should be.

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